Artist submissions
Any medium — image, audio, video, text, code, link, mixed. A queue, a person, a Discord channel. No algorithm.
INCOMING SIGNAL // CH 01
Tune in or get out.
You stumbled onto a broadcast that isn’t supposed to be reachable. It comes off owned hardware, at the edge, under one identity. No algorithm. No telemetry. No SaaS in the path — just a signal and the operator behind it.
THE TWO TENTS // CH 02
viall.dev is the hub above two self-hosted properties — same operator-cult industrial DNA, same edge-to-edge posture, different tent. Pick a signal.
Plus the operator’s own signals — chat, the curation queue, the control plane — on CH 05.
THE STUDIO POLE // CH 03
Stream it. Build it. Host it ourselves.
A creator / broadcasting platform on infrastructure we actually own — live media, custom OBS widgets, community, and ~20 original web apps, with a full Docker homelab as the floor and zero telemetry. A broadcast studio that owns its plumbing.
THE CATHEDRAL POLE // CH 04
A cathedral for bad ideas.
A self-hosted multimedia drop-zone + coding-feats display case + Discord-integrated community, hand-built on one Dell R630 with zero cloud bills. Same operator-cult DNA as the studio — louder tent.
Any medium — image, audio, video, text, code, link, mixed. A queue, a person, a Discord channel. No algorithm.
Long-form, case-study writeups of things people actually built. Sanitized HTML, no slop.
Sign in once with Discord; the rooms remember you. Site roles are derived from Discord roles on every login.
House rules: submissions live or die on whether they’re interesting, not whether they’re engaging. Weirder is better. Banned at the door: bigotry, doxxing, illegal content, and generative slop you didn’t edit.
“Possession of this page is illegal in fourteen nations.”Enter degeneratefuckface.com ▸
OTHER SIGNALS // CH 05
Modules that live on viall.dev itself. Some are scrambled — operator only, behind the glass. Some aren’t broadcasting yet. Each is a folder and a registry line away from going live.